Martin Sharp and unidentified man (?Mick Farren), King's Road, London, June 1967. Photographer: John Hendy.
In October 2015, whilst trawling the internet researching London OZ magazine and its art director Australian Martin Sharp (1942-2013), I came across an unidentified photograph from June 1967 taken by the late John Hendy and posted to the internet by his son Simon. It showed un-named two men sitting outside a restaurant in the King's Road, London. The one on the left had a thickish head of hair, a mustache, circular, tinted glasses and wore a thick, embroided lamb's wool jacket. He was drinking coffee and held a cigarette in his right hand. The other had a thicker crop of scruffy hair, was dressed in a dark jacket with handkerchief in his pocket and wearing dark striped pants. He was reading a newspaper, had obviously finished drinking his coffee, and some cigarette papers were laying on the table in front of him, beside a pack of Old Holborn tobacco. Behind them a man was standing in a doorway, perhaps watching passers-by as he waited for his order at the cafe. The man seated at the table on the left was Australian artist Martin Sharp. The identity of the man next to him is not known, though it is possibly the journalist and musician Mick Farren.
Mick Farren with megaphone at an OZ trail rally, 1971.
The cafe photograph was taken by John Hendy, an amateur who took his camera onto the King's Road during the Sixties and shot at random. Hendy most likely did not know Sharp, though we may never know if they were acquainted as both have now passed away. Sharp obviously let the photographer click away, judging by the closeness of the shot at the table and the look on the artist's face, suggesting that he was intently engaged in conversation and intent on ignoring the intrusion by the camera. Initially the precise location of this photograph was not known, however a second shot by Hendy revealed the fact that Sharp and Farren were dining at the famous Picasso Restaurant Coffee Bar.
King's Road, London, June 1967. Photographer: John Hendy.
The Picasso opened in 1958 and was frequented by the likes of actors Michael Caine and Terence Stamp during the 1960s, along with musicians Eric Clapton and members of the Rolling Stones. David Hemmings was also a regular visitor whilst filming Michelangelo Antonioni's 1966 film Blow-Up. The Picasso survived until February 2014 when it finally closed, apparently boasting the same internal decor as it had upon opening. Initial reports of its closing in 2009 noted it was 'the last living restaurant link to the most famous thoroughfare of the Swinging Sixties' (Harden's 2009). In the second Hendy photograph Martin Sharp can be seen looking over his shoulder towards the photographer, in between a couple talking in the foreground. Whether this was taken before, or after, the first photograph is unknown. One possible scenario is that Sharp noticed Hendy taking photographs in the street - snapping away much as David Hemmings (aka David Bailey) did in the film Blow Up - and called him over. At that point Hendy took the close-up photograph of Sharp and Farren.
Neon sign at Picasso, circa 2009. Source: YouTube.
Eric Clapton remembers his time with Martin Sharp. Source: YouTube.
June 1967 was the height of the so-called Summer of Love, adn the peak of the Swinging Sixties in both the United State and Great Britain. It was marked by the 1 June release of the Beatles groundbreaking LP Sgt. Pepper's Lonely Heart's Club Band and the fiery performance by the Jimi Hendrix Experience of the title track at the Saville Theatre three days later.
The Jimi Hendrix Experience performing Sgt. Pepper's Lonely Hearts Club Band, Saville Theatre, London, 4 June 1967.
The young Australian was there to witness it all, with an 'in' to the in crowd due his independent wealth, artistic talent, association with OZ, warm, open personality, good looks and sheer Aussie cockiness. He and his friend Richard Neville reveled in the opportunities presented them by London during 1967, after having left Sydney in February of the previous year and traveled overland to London via the Asian hippie trail. In the metropolis they encountered the sex, the drugs, the music, the art, the underground and the new, alternative lifestyles of the burgeoning counterculture. They found a general feeling in London that this was a time of change, when young people could create a future very different from the past. The conservatism of the immediate post war years was being replaced by a colourful, often psychedelic, opportunism, where freedom was the cry, the old was uncool, and fun was to be had. OZ magazine was there to both report upon, and promote, these changes and the various cultural revolutions taking place around the world. The quaint 1958 British Nuclear Disarmament Party logo had been universally adopted as the new peace sign, spurred on by the horrors of the Vietnam War and the general barbarity of totalitarian and democratic governments around the world. On 19 June the Beatles All you need is love was being presented to over 400 million people via the world's first television satellite broadcast, and Dylan's The times they are a-changin' was being sung, to all of which artists such as Martin Sharp were reacting.
The Beatles, All You Need is Love, satellite broadcast, 17 June 1967.
During 1967 Sharp was resident at The Pheasantry on King's Road, adjacent to the fashion boutique I Was Lord Kitchener's Valet. The Picasso cafe was across the King's Road and a couple of streets down, according to the map on the Swinging London web`site. The Pheasantry was, for a time, home to a collection of noted Australian expatriates - Sharp, writers Germaine Greer and Clive James, photographer Robert Whitaker and film maker Philippe Mora. A third photograph of Sharp from the same period as Hendy's is known. It is a somewhat closer shot of the artist, with cigarette in mouth and wearing the same lamb's wool jacket over a turtle neck sweater.
Martin Sharp, London, 1967. Photographer: Unknown.
A self-portrait from 1968 reflects a similar image to that seen in the photographs, though with the addition of psychedelic colours. In it we see the thick crop of hair, the circular glasses, the mustache extended towards the chin, and the intense stare.
Martin Sharp, Self Portrait, c.1968, ink and enamel on synthetic polymer film.
The fact that Martin Sharp should be anonymously captured in time at one of the most significant moments in his long and illustrious career as an artist is uncanny, inexplicable and fortuitous, thanks to the initiative of the free spirited photographer John Hendy.
King's Road cafe to Clapton and the Stones is shut due to recession, Evening Standard, 7 July 2009.
King's Road looses Swinging Sixties link, Harden's, 7 July 2009, available URL: http://www.hardens.com/restaurant-news/uk-london/07-07-09/cafe-picasso-kings-road-chelsea-kitchen/. Accessed 6 September 2015.
Picasso Coffee Bar 1958, Swinging London - The King's Road, available URL: http://sixtiescity.net/Culture/KingsRoad2.htm. Accessed 6 September 2015.
1 September 2017